Announcing My Next WW2 Books!

Announcing My Next WW2 Books!

With my final book from my first contract with Tyndale turned in, it was time to pitch some new ideas to them…and I’m thrilled to announce that I’ve just signed a contract for three more World War II novels, plus a Christmas novella!

We’re still a long way out from when you all will be seeing these books, of course–the first novel won’t release until July 2028. Even so, I’m too excited not to share. Here’s a bit about the projects as they stand now (keeping in mind that things could well change between now and when they release, LOL.)

Beyond a Thousand Stars

It isn’t often that I’m attached to a title these days. I know too well how often they change to get hung up on them. But this one…this one I love, and my editor loves it too, so hopefully it will stick. 😉

I still remember when this title and the vague idea for a story came to me. We were in the car, driving the kids home from youth group, and Rowyn and David were talking about Rowyn Things–space, quantum physics, the science of the stars. It was dark, and I remember cresting one of the hills on our very winding country road, looking up past the trees, and seeing those stars that they were talking about in such complex terms. Something about that moment just crystallized in my mind.

The beauty of the night sky. All those countless pinpoints of twinkling light–each one a sun, a burning ball of incredible energy. And I thought about those scientists who had decided that looking at them wasn’t enough, who wanted to understand them, to understand the complicated physics that keeps them burning, that shapes our very universe. Men like Einstein and Bohr and Oppenheimer and so many others.

Men whose work would reshape our world, first for a weapon and then for energy production. The words of the title drifted into my head as we made the final turns toward our house. Beyond a Thousand Stars

I had no idea what the story would actually be about. Just this fuzzy thought that it could be set in Princeton during WWII, with Einstein as a character (not the main one, just a fun secondary one). I promptly bought half a dozen books on Einstein–his life, his theories, his impact. And then…nothing. Didn’t read them, didn’t develop it any further. I’d run the nutshell idea past my previous editor in a list of a bunch of possible stories I could focus on, and it wasn’t the one she latched onto, so I didn’t pursue it. But it never went away.

So this time, when it was yet again pitching time, I dusted it off. I skimmed through some of that Einstein material, did some research online. Watched Oppenheimer (um…sure, that’s research. Right? LOL). And finally figured out what my story would be. A heroine who works as one of Einstein’s many aides. A hero on the Manhattan Project, one of the scientists in Chicago. And of course, a bit of espionage thrown in…

And then, a bit of what I love to do: ask hard questions as my characters with two very different viewpoints have to truly wrestle with the implications of what this “new physics” could unleash.

Here’s my very rough, very not-final back cover style summary:

            Estelle Hathaway is a rare thing in 1944—a woman with a physics degree. Though her career of choice is out of reach, she’s found contentment as one of Professor Einstein’s many assistants at the Institute for Advanced Study in Princeton, where she can rub elbows with great minds during the day and then go home with her astronomy-professor father in the evening to study the stars. She’s content with her life…until suspicious entries begin appearing in her father’s astronomy logs.

            Andreas Falkner came to America from Vienna with his parents a decade ago, determined to work against the rising evil in Europe. Now a physicist working on a top-secret project in Chicago, he’s out to help unlock the power of the atom before Nazi Germany can do the same. The last thing he needs is a distraction—but when he meets Estelle at a stargazing party when he goes to Princeton to visit his parents, everything changes. Especially when the brilliant young woman begins to notice what could well be signs of espionage hidden in her father’s star-charts and observatory logs.

            As Estelle and Andreas grow closer, mysteries hidden in plain sight and betrayal close to home draw them ever deeper into a web of secrets. With the war reaching its climax, they must decide whether the pursuit of knowledge is worth the cost—and whether love can survive in a world forever changed by the forces they seek to understand.

The Art of Escape

My second idea is one I’d put a pin in while researching for The Spy Keeper of Marseille. I have a research book called The Show Went On about the arts in France during the occupation, and it had a chapter called “L’Americain,” all about an American journalist who arrived in Marseille in the first days of the occupation with a goal of helping artists (which means novelists, playwrights, poets, painters, sculptures, etc.) who were in danger of arrest by the Nazis because of heritage or politics, to escape Europe.

He came with the intention of being there for a month and helping a few hundred artists from a list he had. In reality, he was in France for a year and a half and helped over 3,000 people escape (not all artists). How intriguing is that! And happily, this fellow wrote it all out in an autobiography called Assignment: Rescue

Well, naturally I will be fictionalizing plenty, including my romance line, so I’ve changed the name of both him and the heroine (who is a mashup of about half a dozen women who actually helped, LOL), but I think this one will be great fun. My heroine decided to be rather quirky and comedic, but she’ll be off-setting some heavy themes.

Here’s my back cover style idea for this one:

            Victoria “Toria” Davenport came to Paris in 1940 seeking adventure, romance, and stories worthy of her daring grandmother. But when the Nazis take Paris, the artists she’s quickly come to love become fugitives, desperate for a way out of the country. Toria determines to help, even if it means following the refugees to Marseille, where she joins a growing rescue operation run by another American who, quite frankly, needs all the help he can get.

            Journalist Varian Gray was sent by a group of humanitarians in New York to help as many artists escape the Nazis as possible, but he’s the first to admit all he had to recommend him was a month of vacation and a letter from the international YMCA. He doesn’t know the first thing about refugees, but that doesn’t stop him from diving head-first into the work and praying for the best. He’s quickly overwhelmed, and at first he thinks the last thing he needs is a bold American heiress who forges documents, charms guards, and insists on throwing herself into danger at every opportunity—and wearing a bright red dress while she does so. But he can’t argue with results, and Toria Davenport knows how to deliver just that.

            With gangsters as allies, consuls as enemies, and a villa full of Europe’s leading artists waiting for salvation, Toria and Varian are in a desperate race against time that tests their faith and their resolve. But as the noose tightens around Marseille, they find that risking their hearts may be even more dangerous than denying the Nazis.

Some Third Book

Yeah, and, um…there will be a third one. I don’t know yet what it is, LOL. I only prepped two pitches for the team, so I was pleasantly surprised when they came back and said they wanted three. This third one will be developed later. I do have several ideas I loosely put together that we might draw back out, or who knows–maybe something new will strike me before then. 😉

And the novella: The Christmas Pursuit

Of course, this title (much like the others) could well change, but it’s the working one, anyway, for a story I’m quite excited about. I’d first sent my editor an idea for a Scandinavian one, but it was (a) too similar in themes to The Collector of Burned Books and (b) too dark for a Christmas story, so I went back to the drawing board. And thought: Davie.

That is to say, David Culbreth, twin brother of Evie, our heroine in the WWII timeline of Yesterday’s Tides. We see telegrams from him in that book…we hear his voice on the radio in The Collector of Burned Books. And in next year’s book, The Translator’s War, we even get to meet him, when my hero travels to London for debriefing and training. I’ve always known Davie (okay, he totally goes by David as an adult, but I wrote him first as a child, so he’s still Davie to me, LOL) needed a love story of his own. So what could I put together for him?

It honestly only took me about ten minutes to come up with something I absolutely loved. What if the Culbreth family offered their estate as a home for displaced children in Operation Pied Piper? Many grand estates did–and many even set up schools at said estates. So what if the girl Davie had once fancied but never pursued because his friend liked her too was a teacher at his ancestral estate-turned-foster-house? Okay, that sounded like fun. So…what if the kids they took in weren’t just any kids, but were the children of England’s intelligence agents? That would give me the tie-in I need to my existing espionage-rich world.

I didn’t want anything dire. This is a Christmas novella, after all. So I came up with the following, sent it to my editor, and she promptly said yes, that it felt well-rounded and well-balanced with intrigue and Christmas cheer:

Christmas 1944. Herefordshire, England.

            Audrey Price has enjoyed spending the war at Springbourne Hall, teaching the two dozen children the manor took in as part of Operation Pied Piper. She passed many a happy day there herself as a child and knew that working alongside Lady Culbreth, whom she’d once hoped would be her mother-in-law, would be lovely. But when two of her charges vanish a week before Christmas, after receiving a cryptic letter from home, she knows she has to do the thing she’s most dreaded: face down the heir to Springbourne—the man who hand-selected the children who’d be staying at his family home…and who’d made it clear it would never be her home.

            David Culbreth is a second-generation codebreaker and established intelligencer at Bletchley Park. When his parents wanted to open the manor to children being sent from London at the start of the war, he’d thought it a fine idea—and had suggested they take in the children of the agents Bletchley Park had in the field. But when Audrey—the woman he’s always loved…as had his best friend—greets him on his first trip home in years with the news that two of their wards are missing, he knows his brilliant idea has backfired. The father of the children in question is in hospital in London after a harrowing year in occupied France, and it seems their mother’s letter about him convinced her children they needed to set out for London. On foot. A week before Christmas.

            Audrey and David set out after the children in what should be a simple pursuit…but these two brothers aren’t just determined, they’re as clever and resourceful as their special-agent father, and every bit as hard to catch. In a Yuletide adventure through the English countryside, these old friends discover love as they seek to find the missing boys and deliver them home to their parents in time for Christmas.

~*~

And there we have it! My upcoming new stories. =) It will be a few months yet before I begin working on the first of them, but I’m so excited to have them in the queue!

Which one are you most excited for?

Word of the Week – Daisy

Word of the Week – Daisy

As we go through the last full month of summer (in the Northern Hemisphere, that is), I thought it would be fun to look at the histories of some of my favorite things about summer–flowers!

Let’s start with daisy.

The word, not surprisingly, dates back to Old English, and it is literally “day’s eye.” Why? Because the petals open with the sun and close at dusk. And it’s a very traditional name for the flower. Even the Latin word, solis oculus, means “sun’s eye.”

Now, Daisy is also a traditional nickname for Margaret…and if, like me, you wonder why, for that we can blame the French. 😉 You see, the French Marguerite was their name for the flower but also a traditional girl’s name. When English borrowed the name, they also eventually borrowed the translation–but since we had another word for the flower, we just used that as the nickname. 

Emotional Roller Coasters and Too Close to Home

Emotional Roller Coasters and Too Close to Home

I live in the mountains, so I’m accustomed to journeys having their ups and their downs. Uphill climbs and downhill coasts. I’m accustomed to valleys and mountaintops, to breathtaking views and challenging curves.

Life is a lot like those mountain roads, and I’ve definitely found the cancer journey to have a lot in common with them too. Nothing proves it more than my experience a couple weeks ago.

First came the high week–I had my brain MRI and full-body PET scan, and both came back clear. No evidence of cancer, praise God. My neurosurgeon deemed it a good enough report that he doesn’t think I need another one for six months (as opposed to the three-month schedule I’d been on since October 2025). Good news! I was thrilled, and since the week was full of other good things too–the release of The Spy Keeper of Marseille, a new contract from Tyndale, Xoe getting her drivers license, Awakened won first place in the Faith, Hope, & Love Readers Choice Award, and I sold the audio rights to Fathomed, so that will soon be out in audio–I was in a super good mood.

Of course, I know those good weeks don’t last forever. And I got my first glimpse of it when I had my follow-up appointment with radiation oncology a week after the scans. It was overall a very encouraging appointment, don’t get me wrong. I really like my team, and they are always so informative and build me up. But she said something that just really struck me: “We’re always going to be monitoring you closely.”

This is a good thing. This is what I want. But it also just really hit home–that this journey has no end, not for me. There’s not a point where I have reached the destination of “cancer free” and just get to go on with my life without looking back. I will be having regular scans forever. There’s no “looking at it in the rear view mirror” for my journey. Metastasis means a whole different category.

And my category is a strange one. It’s called Oligometastasis, and it’s not your typical Stage 4 (though it technically is Stage 4). It means that there was one isolated metastasis, and it can be treated aggressively, with a goal of curing it, of eradication. Usually with Stage 4, the goal is containment. So as metastasis goes, it’s the best case scenario…but it’s also rare. As in, there are hundreds of cases, not the many, many thousands. Which means no protocols in place.

Which means, as my radiation oncology team put it, my treatment is a conversation, and I have a voice in it. Which is also great…until I feel like I don’t have a voice in it. And that’s what happened at my last infusion. See, my original oncologist has moved to a different city, and I was put with someone new. I will miss Dr. Safi–he was not only a great doctor, he was personable and kind and genuinely cares about his patients. He was the kind to make a plan and then send a message saying, “Wait! I just read a new study that came out the other day, and we need to adjust the timing of this.” He was also the kind to come into an appointment and say, “I’ve been looking up your books. You’re very popular!” which just made me feel seen. Because that was something he did on his own time, in an effort to know me better.

But I was fully prepared to like my new oncologist too. I was expecting a long first appointment with her, because that’s how it usually goes, with them asking me to tell them in my own words about where I am and what I’m going through. This one didn’t do that. She was in and out in five minutes the first time. Last time (our second appointment), after these scans, I was prepared to engage more, and I asked about the plan now that we had two clear scans under our belts. Dr. Safi had said we’d do treatment for a year and then reevaluate, that maybe we’d do up to two years, but that he didn’t want to commit me to a lifetime of treatment for a disease I no longer have–that the risks of complications from treatment have to be balanced with risk of recurrence. This new doctor, however, just said, “This is forever. You can’t ever go off treatments. It was in your brain, we can’t risk it coming back. With Stage 4, it’s not a matter of if it comes back, it’s a matter of when it comes back.”

Cue that roller coaster plummeting so fast that I felt my stomach bottom out. Because while forever had been discussed at first, it was not where my original oncologist had settled and so not what I’d been thinking for the last eight months. And my team had just reiterated two days before that this was NOT typical Stage 4 and COULD be treated for a cure. I pushed back. Reiterated what Dr. Safi had said. But I didn’t feel like she was hearing me. She just kept saying, “This is protocol.” I asked, “Could we talk about spacing them out more in the future, at least? Because this cycle is hard on me.” To which she said, “There’s no protocol for that.”

My husband is usually the one with all the questions, but he stayed silent. Because, as he said afterward, “You seemed like you were barely holding it together and just wanted her out of the room.” He wasn’t wrong. I was fighting tears, and I continued to fight tears the rest of the day. Thoughts I have never entertained began bombarding me. Thoughts like:

What is the point?
Why am I doing this?
Why am I considering a big surgery to give me a body I’m more comfortable in, if it’s guaranteed to come back?
How many years do I even have left?
Am I seriously going to be dealing with this forever? Feeling sick 1/3 – 1/2 of the time? Being so depleted of energy?

I let myself feel all those emotions. I went to my infusion, and the nursing staff helped without even realizing it. Just by asking personal questions. Smiling and laughing with me. They even brought in a backpack of goodies that a local middle school team puts together for cancer patients, filled with blankets and socks and lotion and lip balm and even a Starbucks gift card. I messaged my friends asking for prayers and explaining the emotional crash, I called my mom and whined, LOL.

I slept on it. And then I messaged my physicians assistant who I adore, who promised to be with me through the transition to the new doctor, and I told her about my concerns at the lack of continuity. She promised to arrange meetings between the new doctor and the old, and to talk to them both, and fully understood my concerns. That helped. And this being me, I am seriously incapable of staying “down” more than a couple days. I bounced back and was soon laughing about it, confident we’d work it all out.

But man, this roller coaster. The twists and turns, the loop-di-loops, the ups and downs. It’s hard. And there’s nothing to do but ride it, and to cling to the safety bars of faith, and to work through all the emotions.

One of my biggest “work through” methods in the last 9 months since this new diagnosis has been my stories. Especially Amazed, my third romantasy, which will release in December. I already wrote about this a bit in a post called “Strange Timing,” in which I shared that as I was developing this story, I created a character whose sole purpose was to die. We know she’s dying at the start of the book, this isn’t a spoiler. It’s the whole reason she and her husband are in the kingdom it’s set, to soak in the healing waters of their mineral pools–one of the few things that can relieve the symptoms of her (totally fictional) disease.

I’d developed this character and story line to progress the plot of my world. I decided to write her POV in large part to keep a good balance of male/female points-of-view. What I didn’t know when I decided on that was that I’d get my new cancer diagnosis just as I was getting to the point in the story where I was writing her first scene. I was literally riding home from the hospital after my oncologist told me I had Stage 4 cancer (and at the time, before all the scans, they assumed it must be all through me, they didn’t yet know it was just that one tiny spot) and would likely be on treatments for the rest of my life, when I realized the next scene I had to write was Iraja’s first scene. As in, the dying woman.

For a moment, I wasn’t sure I could do it. Then I realized that God knew. God knew what I would need to process my own emotions when He put this idea in my heart and in my head. That strange timing was His timing. And so, I poured myself into it. Though Iraja’s story is nothing like mine in pretty much every way, she became my way of exploring and expressing all the emotions I was dealing with, all the wrestling with my own mortality.

So as I’m sure you can imagine, I was a little nervous as people began to read it–my editor, my husband, and the “alpha” team of my P&P ladies, who volunteer to read the first draft. One of the questions I asked them at the end was “How was the Iraja line? Sufficiently poignant? Does it need any work? Was she as lovable as I claimed she was? (LOL)”

Thus far, everyone has unanimously agreed that they love her, love her line, and it was SO emotionally impactful.

Everyone, that is, but my husband. When I told him my editor said the book wrecked her in the best way and she was bawling (in the best way) and she LOVED the Iraja line, and she wanted no major revisions, David’s response was, “Really?”

Um…uh oh. When these notes came in, he’d just finished reading it two days before, and we hadn’t had time to talk about his thoughts yet. But it was right before we left for our anniversary trip, so I knew we’d have countless hours in the car. And we talked through a lot on that trip. Not just his thoughts on the book (he thinks we need some short stories about Iraja and Bleu’s adventures together, to come between their happily ever after in Consecrated and Iraja’s diagnosis 34 years later in Amazed–and I’m cool with that. I’ll be writing a trilogy of short stories for them entitled Beloved, in which we’ll see Raji making friends of enemies and changing the world with her loving outlook), but also his struggle with it.

Because it hit too close to home for him, which is totally understandable. While I used the story to process all those emotions, they hit him hard. Especially because in the story, Iraja tells her Awakened husband, who likely has centuries left to live, that he must live. He must move on, because she knows somewhere out there is the fated match like his parents have. That she can’t hold his “forever.” And as David held me close one night, he said, “That better not be you saying that to me. Because there will never be someone else for me.” To which I replied, “Their story is not our story. The emotions are mine, but not the details. Yes, I want you to live if I go first–but that doesn’t mean the same thing.” We had to work through it. We had to hold each other close. We had to wrestle together.

And there is so much of that in this journey. There is wrestling with emotions and realities and might-bes. There is prayer and there are tears and there are victories we embrace with both hands. There are ups and downs and twists and turns, and it isn’t a ride I can just get off of.

But there is also new depth. New discoveries. New Truths the Lord is so gracious as to show me.

These last couple weeks especially, I’ve been thinking about the legacy I will leave behind, whenever the Lord calls me home (hopefully many decades from now!). Will people still read my books after I’m gone, or will Roseanna M. White just fade away when I’m not putting out new stories? I look at the ECPA bestseller list, and I see those books that have been on it every month for literally decades (looking at you, Redeeming Love, LOL) and I see that I’m not on there, and I wonder…does it matter? All this work I do–does it matter? Will it last?

I can’t know if it will last. But I do know that it matters. I know it because people tell me so. It matters now. It matters for you. So I will keep writing, as long as the Lord gives me words. I will keep pouring myself into each and every book I put out, because what is the point otherwise? I will take my pain and my questions, my yearning and my discoveries, my faith and my hope, and I will put them into the stories of brave French Resistance fighters, of gentle-souled princesses with fatal lung conditions, of mystery-solving restoration historians, of beach shop owners learning to open their hearts.

I will write. And I will fight. And I will live. And I will love. I’ll keep bringing things close to home…and I’ll stay on the roller coaster. Because it’s just my beloved mountain roads, taking me on a journey. And oh, the vistas from the mountaintops. Getting to those views is always worth the plunge through the valleys.

Word of the Week – Odyssey

Word of the Week – Odyssey

With the new The Odyssey movie out, it’s no big surprise that odyssey is trending on EtymOnline.com. And while I’m well familiar with the classic epic poem by Homer, and I knew that odyssey came from the title character’s name, Odysseus, I’d never actually looked it up.

My first surprise was seeing that odyssey didn’t make its way into English until around 1600, which was far later than I expected. The English came from the Latin Odyssea, which in turn came from the Greek Odysseia.

Also fascinating to me is that the metaphorical sense of “any long and adventurous journey” didn’t join the show until 1889! Much later than I thought.

So what of the hero’s name? That is shrouded in mystery because it’s so old, considered to be “pre-Greek.” Homer’s epic is written in Attic Greek, the oldest form we have, but the stories were handed down verbally long before they were written. Some historians considered that Odysseus’s name might have come from odyssasthai, which means “to be angry, to be grieved, to grumble,” but most etymologists now consider that to be mistaken so consider it what they call “folk etymology.”

One of the reasons we know that it’s pre-Greek is the number of variants, some of which begin with ol- instead of od-, which is how we got Ulysses along with Odysseus.

Have you read the epic poem? (It was one of our first reads for seminar at St. John’s College, after The Iliad.) Have you seen or do you plan to see the movie?

Labels

Labels

Labels. They have a wonderful purpose. They help us to classify things, to understand them. They make it easy to find what we’re looking for. I’m a big fan of labels in many things–on the clothes on the rack in a store, on my spice jars, on food. And many more places too, of course.

Labels help us to know what we’re getting. And that matters. But I can admit it–I chafe against labels, when they’re applied in other ways. I don’t generally like it when they’re applied to me. And I also don’t like it when they’re applied to my stories.

This is something I struggled with a lot as a new writer. I remember way back in 2005, when I was pregnant with my daughter, I attended an RWA (Romance Writers of America) meeting as a guest. Naturally, “romance” as a genre came up in conversation, and I said something (very uninformed) about how most stories have some romance in them. At the time, I had just put out the very first version of A Stray Drop of Blood, and in my mind, it was a romance.

Y’all, it is not a romance. Some very patient woman with way more experience than I had explained very quickly and offhandedly that in order to meet the definition of a romance, a book had to meet certain expectations and follow some rules. All of which my book did not do. What this woman was telling me was that “romance” is a label that carries a very specific meaning with it. And what’s more, that when people pick up a book with that label, they expect it to hit certain notes.

A Stray Drop of Blood is a love story. But it is not a romance. It’s best classified simply as “historical fiction” or the sub-genre of historical, “biblical fiction.” This was a realization I had to wrestle into place.

And it’s a lesson I carried forward in my writing. I will be honest. I don’t always like genre labels still. But I know their purpose. And so, I’ve embraced them. Because I want my readers to trust me. I want them to know that when they pick up a book of mine labeled “historical romance,” they can be 100% sure they’re going to get a Happily Ever After (HEA, as we call it in in the biz), and that the romance is a key part of the story.

At the same time, there’s still a bit of rebel in me, LOL. When people say “Oh, I don’t like romance,” some part of me really wants to say, “And yet plenty of people who ‘don’t like romance’ read and love my books and tell me they’re not ‘JUST romance.’ So maybe what you mean is that you don’t like certain types of romance.” Same goes for other labels like “Christian fiction.” I absolutely, 100% write Christian fiction. Faith is always a central theme in my stories. But if I’m talking to someone who doesn’t share my faith (or if I’m not sure if they do) and they ask my what I write, I usually drop that label and just say “historical fiction” (if it’s a guy) or “historical romance” (if it’s a girl). I give them the label that is TRUE but which I think they’ll most be drawn to. Just playing Paul a bit. 😉 Not to try to deceive, but to try to get to what lies beneath the label.

Because while labels help us find what we want…they also lead us to dismiss things, even when we shouldn’t. They give us an excuse not to try something. To fall into prejudice.

Most recently, I’ve been thinking about labels because of what, in the book world, has come to be called “spice.” “Spicy” books have open-door sex scenes. So those books that don’t have that have come to be called “no-spice” or even “no spice romances.” Other variations were “closed-door” or “clean” or “wholesome.”

All of these labels come with problems, and some people I highly respect have talked about it with more eloquence than I could. Sometimes the problem is that the term is unclear: “closed door” could mean that the characters don’t have sex outside of marriage, but it can also mean that they do, but the author “closes the door” and doesn’t show it on-page. But it could also mean that characters are married, so of course they’re doing married-people-things, but it’s not described. (I do have some books where characters get married and, by the end of the book, have consummated said marriage–so technically, those books would be “closed door.” Because we know what’s going on, but we don’t need to see it.)

Sometimes the problem is that the term carries a blanket moral judgment, as with “clean.” 

Lately, I’ve had books featured by readers and reviewers who build their platform on “no spice” and also no bad language, no explicit violence, and so on. I’ve joined multi-author cross-promotions that rely on this label too. Because my books fit the label. That’s cool.

And yet…I’ve been chafing at said label, and it’s taken some self-examination to figure out why. And I think it comes down to another review I’ve gotten recently.

See, Guideposts put my Island Shop books in an Instagram tour this summer through a group called BookSparks. They hosted a summer reading challenge called “The Book Odyssey,” and I’ve had fun seeing my books pop up in the travels of readers and reviewers well outside my normal circle. I soon realized that this group was not strictly a Christian-book group. Which can be terrifying for someone who writes obviously-Christian fiction, given the horror stories we’ve all heard about 1-star reviews simply for being Christian.

But instead, I found that these new-to-me-readers were enjoying the stories for what they were. The whole point of the challenge was to explore new books as travelers would explore new cities or countries, and that’s what they did. I was continually delighted to be tagged in these posts from strangers and to find that they appreciated both The Island Bookshop and The Island Bakeshop because of their beach settings, their relationships, their banter, their sweet romances. 

One reader, however, said something like, “I’m surprised at how much I liked these. I usually want at least some spice in my books, and these are no-spice. But I still really enjoyed them.”

And that’s when the label started to chafe. Because yes, it serves a very real and very necessary purpose–to let people who don’t want that in their books know that they won’t find it here. Awesome. I approve. 😉 But as with all labels, it does the opposite too–it tells people to steer clear. This can also be a good thing–it helps eliminate those low reviews, if people don’t know what they’re getting and don’t like what they get.

But I love when readers throw labels to the wind and just read. When they pick something up and give it a chance anyway and find that they love something, even if it’s not they’re norm.

So I guess maybe it’s not the labels themselves that I chafe at. I think maybe it’s the fact that we, as people, fall back on them so much. I don’t mind labeling my books…but I need to be careful not to let labels alone guide me.

And people? This is where it gets really important, which is something I talked about a lot in 2025 around the release of The Collector of Burned Books. Because it isn’t just clothes or food or books that we apply labels to, right? It’s people. And even when we give ourselves those labels–Christian, Catholic, Protestant, wife, mother, friend, American, Canadian, Australian, Conservative, Liberal–we need to remember that that’s not all we are.

And so, it’s not all anyone else is either. Just like my books–they are romance, yes. But they’re not ONLY romance. They are no-spice, yes. But the spice level is not what the book is about. They are Christian, yes. But it’s not a slapped-on, preachy kind of Christianity.

We all have labels. They help define certain aspects–of us, of our beliefs, of our stances, of our nationality, of our ethnicity. But we are MORE than our labels. And so are they.

Labels can help us in so many ways…as long as we never forget that they’re just one little sticker trying to help you understand something really complicated. When we apply them, we need to do it wisely. And we must never, ever forget that Jesus sought out those with labels that usually meant they were dismissed, and He gave them a new one. The only one we really need:

Redeemed.