Modern . . . Possibilities

Today’s the last day to enter the giveaway for Liberty’s Promise, so hop over to that post and read the fun interview! And of course you have all week to enter the giveaway for Amanda Cabot’s Scattered Petals, so check that out too. Plus mine–a giveaway for A Stray Drop of Blood is up on Michelle V.’s blog. =)

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It occurred to me when I decided to rewrite a story that had originally been contemporary and turn it into a historical that there are some weird subtleties in what is acceptable–what is possible–in fiction.

For instance, this story in question had a huge problem–I had an archaeology team excavating in Egypt. In reality, today the Egyptian government has granted all right to excavate to a single Egyptian man, and no one gets to dig that isn’t under his direct control. I totally understand this, after the British allowed pretty much anyone with a shovel to come and see what they could find for the better part of a century. But it made my premise . . . unlikely, to say the least.

Even in contemporaries, your research has to be spot-on.

But in the historical version, there’s a different issue. How can I have them make a huge, impressive discovery that . . . well . . . wasn’t ever made? (A dilemma I haven’t fully ironed the wrinkles out of yet.)

In a lot of ways, writing contemporaries is easier for me. Rarely do I have to sit down with a 500-page non-fiction book to prepare for a contemporary. On the other hand, the setting, premise, and details are far more likely to be generally known by your readership, so if you get something wrong . . . you’ll be hearing about it.

Personally, I enjoy contemporaries because of the open possibilities. The future is still unwritten here in the real world, so I can make my modern characters do something to impact history, and that’s totally fine. But it still has to be plausible. Both characters and situation have to reek of reality. And those characters have to fit seamlessly into the world the readers belong to, so that they feel like they might just spot the heroine as they’re walking down the street. Once you do that, the possibilities are endless. =)

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Speaking of futures and reality, I have my first book event this Wednesday. I’ll be talking about my book, reading snippets, answering questions . . . so naturally I’m wondering, “Is anyone else going to care about this stuff??” LOL. In any case, if anyone wants to say a prayer for calm nerves and the right things to say, that would be awesome.

And if anyone’s in the area of Cumberland, MD on Wednesday and wants to check it out, it’s at the Washington St. Library at 6 p.m. =)

My Friend Amanda – Interview & Giveaway

My Friend Amanda – Interview & Giveaway

Today we’re welcoming Amanda Cabot to chat about her new release, Scattered Petals. I had the privilege of reading an advance copy of the first book in her Texas Dreams Series and couldn’t wait to get the sequel. At the moment I’ve taken it off the to-be-read pile and moved it to the Reading slot but haven’t yet had the time to do more than put my bookmark in. (Sick kids this week.) So I’m gonna get this thing up quickly so I can get reading!

Amanda has graciously offered a signed copy of the book to one lucky reader with a U.S. mailing address, so leave your comments below with an email address!

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About Amanda

Amanda Cabot has always been a dreamer, and so it’s no coincidence that her first books for the CBA market are called Texas Dreams. Set in the Hill Country beginning in 1856, these deeply emotional historical romances showcase God’s love as well as that between a man and a woman. The first in the trilogy, Paper Roses, is in its second printing, and Scattered Petals has just been released.

A former director of Information Technology, Amanda has written everything from technical books and articles for IT professionals to mysteries for teenagers and romances for all ages. She’s delighted to now be a fulltime writer living in Cheyenne, WY with her high school sweetheart/ husband of many years.

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About Scattered Petals

Longing for adventure, Priscilla Morton leaves Boston in 1856 and heads for the Texas Hill Country, never dreaming that the adventure she seeks could have heartbreaking consequences. Although attracted to her, ranch foreman Zachary Webster knows Priscilla deserves a cultured East Coast gentleman, not a cowboy who’s haunted by memories of his mistakes.

When necessity draws them together, Priscilla and Zach begin to forge a life filled with promise. But then the past intrudes.

Book 2 of the Texas Dreams series, Scattered Petals weaves a tale of drama, love and second chances as beautiful as the Hill Country itself.

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What’s your latest book?

Scattered Petals, the second of the Texas Dreams books, is a March 2010 release from Revell. Although I’ve designed it as a standalone book, because my pet peeves include books that have to be read in the order they were written, its hero was introduced in Paper Roses, and readers will have a chance to visit with many of the characters of Paper Roses. For me, writing books in a series is like returning to a favorite place. Somehow, it’s just as wonderful – maybe more so – the second time.

A philosophy I share! Is there a theme to this book?

All of my books seem to have an underlying theme of the healing power of love. I don’t always have that in mind when I begin the book, but since I believe in love (and justice, but that’s another story), there’s usually at least a hint of healing. Scattered Petals, however, was designed as a healing story. Priscilla, who’s been attacked by a bandit, needs to heal both physically and emotionally, while Zach’s healing is internal.

Ah, I can picture it already *happy sigh*. What’s your favorite genre to write? To read?

Romance, in both cases. I love happy endings, and so I gravitate toward books that promise me one. To me, there’s nothing more satisfying than watching two apparently mismatched people surmount obstacles along the path to true love, and when you add a faith element … well, that’s the perfect story for me.

This fellow romance-lover agrees wholeheartedly. =) Is there any one thing or reference you keep handy when writing? Anything you kept around for this particular book?

Since I write (and read) historical novels, one thing I dread are anachronisms, words that are used “before their time.” I cringe when I read about water flowing off the medieval knight’s armor as if it were coated with Teflon (not likely, since Teflon was a twentieth century invention) or when a soldier wears camouflage in the American Civil War. (“Camouflage” came into use during the first World War.) Because mistakes like that turn perfectly good books into ones I have trouble finishing, I use a dictionary which lists the date of first common usage. It’s such a constant companion when I’m writing that the cover is starting to look a bit shabby. I guess it’s time to consider buying a new copy.

LOL on the knight’s Teflon armor. I mean, seriously. I keep etymonline.com up on browser incessantly when writing a historical, because I share that dread of anachronisms! So what lessons have you learned through the publication process that you wouldn’t have guessed as a pre-published writer?

I’m still amazed at how much work goes into turning a story into a finished book and how many people are involved in the process. It’s not simply a matter of editing a book and typesetting it! There are so many people at Revell who have vital roles in my own books’ publication process that I created a spreadsheet, listing employees’ names, email addresses and their roles in the process. Revell, for example, starts a year before the pub date with what they call a “positioning” meeting. That meeting, which includes people from Marketing, Sales, Publicity and Editorial, selects the title and, in some cases, what’s called the “sell line.” (That’s the one or two sentence teaser you see on the front cover.) Once that’s done, the Art department starts work on the cover. Each and every element you see on a cover is carefully chosen, designed to appeal to readers and to be true to the story (no blonde models if the heroine is a brunette). And the process continues, with careful attention at each stage. It’s wonderful, working with so many people who care so much about making each book the very best it can be.

So in depth! I’m still amazed by what goes into a finished book too. But let’s turn back to the writing. What writing goal have you set for yourself that would be the hardest (or unlikeliest) but most rewarding to achieve?

My highest goal is to write a book that’s worthy of a Christy Award. The Christies are very special awards, since – unlike many contests where authors enter their own books – the entries come only from the publishers, and, since the entry fee is higher than most contests, publishers are very selective about which books they send for judging. It’s a huge honor to be a Christy finalist, and a winner … well, that would be the pinnacle of my career.

That’s one of my ultimate goals too. We’ll have to be sure not to be against each other in a given year. 😉 What are you writing right now?

As I mentioned before, in the publishing world, everything starts at least a year in advance, so even though there’s still another Texas Dreams book in the pipeline (Tomorrow’s Garden,which has a pub date of March 2011), I’ve finished that manuscript and am now working on the first of the three Wyoming Winds books that are under contract.

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Thanks for visiting, Amanda! Readers, check out Amanda’s website at www.amandacabot.com. You can order Scattered Petals at Amazon and CrossPurposes.

Contest ends 3/11/10. Void where prohibited. Winner will have two weeks to claim their book before another winner is selected.

Winner!

And the winner of Mary Ellis’s Never Far from Home is . . .

Wanda! (wandanamgreb@ . . .)

Congrats, Wanda! I’m emailing you now.

Thoughtful About . . . Sales

Few things–today’s the last day to enter the giveaway for Never Far from Home, but you still have a few days to enter the giveaway for Liberty’s Promise.

Also, for those of you still awaiting a copy of A Stray Drop of Blood, there’s a giveaway up today at Michelle V’s blog.

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I hate to blog abound something as mundane as sales, but what can I say? It’s been on my mind, primarily because it’s been coming at me from every which way this week.

In the publishing industry, sales numbers are king. They rule the day. They determine whether you earn out your advance, whether you get any royalties, whether you get another contract. They determine what the advance on your next contract will be. Sales numbers are the measure by which a writer’s success in gauged.

Roseanna isn’t much of a success, LOL.

Now, I’m small press at this point, so expectations are different. We don’t expect to sell 50K in the first year. (Would like to, but . . .) We don’t expect to hit any charts. (Would like to, but . . .) We don’t expect to do much more than break even, so I’m not holding my breath on royalties. (Would like to, but . . .)

In a way, the fact that I can actually count my sales is humbling. I mean, other authors on one of my loops were talking about sales that must be in the tens-of-thousands category for our genre or they’re a flop. A friend of mine is dealing with needing to boost her sales in order to get another contract. Me, I don’t have to worry about my publisher, given that I’m married to him. 😉 But I do have to consider whether or not this book can be used as a stepping stone to contracts with bigger publishers, which is unlikely without those all-important numbers.

But you know, I had a realization yesterday. We got an email from the head of a book club who is interested in doing Stray Drop with her group and was inquiring about the discounts WhiteFire offers. And I got excited. Not just “Hey, that would be cool,” but giddy-excited. Because my numbers are small enough that each one counts, each one is important, and each one makes me praise the Lord. There’s something cool about that. About knowing that each book we ship out gets covered with praise, each one is sent with my love. Each reader is important to me.

Yes, I hope that someday I won’t actually be able to count all of my readers, I hope that I won’t have to jump up and down each time an order comes in. But I hope I never lose my excitement for the people that take an interest in my stories, that I never take readership for granted.

Sales matter in publishing, yes–and I’m so thankful for each individual one. =)

Remember When . . . The Money Ran Out?

Two giveaways to remind you of! First is Friday’s of Never Far from Home, and then yesterday I put up a new one of Liberty’s Promise. Check them out!


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Once upon a time, there was a Maryland governor named Bladen. He held office in the cultural hub of the New World, Annapolis. There, balls and soirees and parties of unsurpassed splendor ruled the day. Nowhere else in America could you find such wealth, such beauty, such style. For good reason, the town had been dubbed the “Athens of America.” Bladen undoubtedly thought himself pretty darn special. He was governor. The State House overlooked the city with grace and elegance. The Who’s Who of the colonies often dropped by. So naturally, he deserved a governor’s mansion. One whose glory would reflect the State House across the street. There was only one problem . . . he ran out of money before the mansion was finished. Oops!

For years, the shell of building sat empty and, we can suppose, forlorn. I imagine the governor was pretty embarrassed, too, since the mocking facade came to be known as Bladen’s Folly. Kinda funny, since Thomas Jefferson called it “the only publick building worth mentioning” in Annapolis in 1766.

In the 1780s, Bladen’s Folly sat on 4 acres of land abutting King William’s School, a grammar/prep school for boys that were usually bound for Oxford. After the Revolution, Maryland officials decided it was high time the state had a college, and the state offered Bladen’s Folly and the land with it if the college would be placed in Annapolis, as opposed to on the Eastern Shore, as some wanted. In 1784 (when my new work-in-progress takes place), St. John’s College was chartered, its home to be Bladen’s Folly–after they completed it of course. In order to streamline, they merged with King William’s School, and grammar-level instruction continued in the basement while higher learning took place on the higher floors. (The cupola and bell tower were added then.)

Now this is of utmost interest to me for several reasons. First, because my hero attended King William’s School a decade earlier, so he’d be pretty interested in all this. Second, because I attended St. John’s. =) The third oldest college in the nation (only because they can claim the charter of King William’s School, actually–it was founded in 1696), St. John’s still uses the building once called Bladen’s Folly as its central building, though now it’s called McDowell Hall. Which means I got to walk the moat that was deepened during the new construction in 1786. I got to look out over the Great Hall where centuries’of students met before me. I got to look out the windows of the third floor and see the dome of the State House where George Washington resigned his commission, where the Treaty of Paris ending the Revolution was ratified.

I just love placing my feet on the steps of history. Don’t you?